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Astral Spirits is quite excited to present the debut solo release from Andrew Smiley (Little Women, Happy Place, Chris Pitsiokos Quartet, etc). Below are his thoughts on the album itself and the process behind it.
"I would describe my album as intense, stark, and full of contrast. It is a single, 27 minute piece that is fluid and deliberate in its development. Texture, rhythmic propulsion, and counterpoint are crucial elements. I create different textures by using my pick and fingers in unconventional ways rather than using effects or prepared guitar techniques. The sounds are wide ranging, dynamic, sharp, percussive, and at times very dense. There are specific melodies and harmonies embedded within the noisier material, as well as existing on their own in the form of chords and lines. My singing is less prominent than the guitar, but equally important."
"When writing this piece, I wanted to come up with a language for the
guitar that was new and complicated, and had emotional depth that
could be instantly felt. I was also interested in building
connections between disparate textures to create a more expansive
overall sound. I have long been a fan of My Bloody Valentine, and the
relationships between the different colors in their music was an
inspiration in exploring this approach. Another thing I had to think
about with this piece, was the role of improvisation. I knew that
there needed to be improvisation, but it had to stay within the
formal structure of the piece, which was entirely composed. I viewed
the vocals along similar lines. Their purpose was to add a unique
layer of counterpoint that I couldn't achieve on guitar. My vocal
ability is very basic and limited, but I always felt empowered singing
within this piece, because I knew I was contributing to the overall
mood. During the years in which I was developing this music, I spent
a lot of time thinking about wolves, and feeling empathy for their
struggle to live alongside humans. I would like this release to bring
awareness to the intelligence of wolves, and their right to exist
within ecosystems."
credits
released June 23, 2017
All sounds by Andrew Smiley.
Recorded by Ryan Power.
Mixed by Caley Monahon-Ward
Mastered by James Plotkin.
This piece is dedicated to the memory of Webster, and to wolves that are hunted for sport.
Bloor is one of those bands you comb through your album library for a reference point, it is many things, and to cite one would do a disservice once the next song begins. Free is a given, a repetition establishes a pattern, the pattern indicates a direction, a left is taken, somehow you are back at the point of departure. One could suggest a seatbelt. Mighttheone
This collaboration between guitarist Lucas Brode and drummer G. Calvin Weston is a freewheeling hybrid of experimentalism, jazz, and more. Bandcamp New & Notable Mar 28, 2023
An ambitious cross-genre journey from the Richmond Avant Improv Collective, who bring in 17 (!) guest musicians to fill out their vision. Bandcamp New & Notable Oct 12, 2021
A split from modular synth wizard Nils Quak and free-form psych duo Flamingo Creatures splits the difference between cosmic and organic. Bandcamp New & Notable Sep 10, 2020